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 BELLA 
        BELLUCI   Monica Belluci as Persephone in "The 
        Matrix: Reloaded" and opening the Cannes Film Festival with Patrice 
        Chéreau
 If the 
        Cannes Film Festival were a Big Game, then the Homecoming Queen for 2003 
        would be Monica Bellucci. A sensuous luminary of Italian, French and now 
        Hollywood cinema, the beautiful Bellucci officially opened and closed 
        the 56th Festival du Film with Jury President Patrice Chéreau, 
        upholding the Cannes tradition of having a lovely young actress assist 
        whatever frumpy middle-aged man is running the show.  The great heist of 
        the festival was the theft of Bellucci's dress. Sorry, not while she was 
        wearing it. The $180,000 gown of spun gold that the actress wore in "Asterix 
        & Obelix: Mission Cleopatra" was stolen from the Martinez Hotel 
        where it was on display. The thief was a waiter who confessed to police 
        that he had coveted the dress as a gift for two young ladies he had met 
        that day. Sounds like the plot for a romantic screwball comedy that I'm 
        sure some filmmaker somewhere is already planning to develop. Bellucci reigns over 
        the "Matrix Reloaded" as Persephone, the Hillary Clinton of 
        the Underworld, long-suffering wife of the philandering Merovingian. Like 
        all the more intriguing "Matrix" characters, Persephone is not 
        human. She's pure software, a sultry, curvaceous hell-goddess pouring 
        like fine French cream into a stunning, cleavage-friendly, retro-futuristic, 
        silvery-chartreuse latex dress that I'm sure some klepto-romantic waiter 
        somewhere is already planning to steal.   Lambert Wilson, Monica Belluci and 
        Hugo Weaving heat up the "Matrix: Reloaded" Press Conference
 Of all things or 
        people, the hyper-feminine Persephone is jealous of the androgynous Trinity. 
        Persephone wants the passion that Trinity (supposedly) has. She asks Neo 
        to kiss her like he kisses Trinity, so she'll know what it means to feel 
        human passion. The first kiss is obviously passionless; the second is 
        longer but (in this viewer's opinion) not much stronger. Probably because 
        it was the 56th take and her lips were getting chapped, Persephone accepts 
        Neo's second kiss and lets the Zionists pass into her Underworld where 
        she gives them the keys to more than they probably deserve.  Continue 
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